Opera Atelier in Versailles

Jake Rennie as Armour and Peggy Kriha Dye as Armide
Opera Atelier 2012, Photo by Bruce Zinger 2012

Soprano Peggy Kriha Dye said she felt a little bit like Cinderella after her triumphant performance as Armide in the Opera Atelier's production of Lully's Armide in Versailles, France on Friday night. Dressed in a lush, long red velvet gown by Magpie Design for the after-party, she told me that she was moved by the standing ovation and repeated curtain calls demanded by the audience. She also said she was glad that she hadn't known in advance that Armide has never been performed in Versailles before. Her performance set a standard that will be hard to follow, as did all the members of this Toronto-based troupe, who performed as if their lives depended on it.

Words can hardly describe the beauty and majesty of watching the talented group of artists of Opera Atelier perform in Versailles. Led by Marshall Pynkowski and Jeannette Lajeunesse Zingg, Opera Atelier incorporates ballet and performance into the opera. The performers do not simply stand on stage and belt out libretto. They act, they emote, and they move across exquisite stage sets designed by Gerard Gauci. Unfazed by the challenges of performing in a royal venue, not to mention jet lag and different voltages, Opera Atelier has already been asked to return to Versailles in 2014.

Going to Versailles to see a performance is an event in and of itself. Tiptoeing across cobblestones in my high heels wearing a slim fitting Prada sheath dress, I was glad at least that I did not have to wear a pannier or a train. It was an evening I'll never forget.

After today's matinee performance, Opera Atelier will return to Toronto for a rest before heading down to the Glimmerglass Festival in New York where they will perform Armide for a summer run. If you have a chance to see them perform in Glimmerglass, don't hesitate to buy a ticket, as this is opera as it was meant to be - rich, lush, and enchanting.

Opera Atelier: The Spectacle of Armide

Olivier LaQuerre as Chevalier Ubalde
Photo by Bruce Zinger

Opera Atelier's production of Armide, a tragédie en musique, is, in my view, a spectacle worthy of Versailles. First performed in Paris at the Théâtre du Palais-Royal on February 15, 1686, with scenery by Bérain, the Toronto-based Opera Atelier has layered the Middle Eastern aesthetic of the story over a Baroque sensibility, creating a feast for the senses. Captivating from start to finish, this production opens tonight in Toronto and runs until April 21, 2012. In May, the company takes Armide to Versailles, followed by a summer run at The Glimmerglass Festival in New York. 


Set during the time of the First Crusades, the story centers around the Muslim warrior princess Armide who captures the Christian knight Renaud with her magic spells. Instead of killing him, she falls in love with him and casts a spell to make him love her in return. Conflicted by her emotions, she calls on the Goddess of Hate to release her love for Renaud, but instead is condemned to eternal love. Renaud's spell is broken by fellow soldiers and he escapes from Armide. Even though he declares his love to an unconscious Armide, he abandons her. Tormented and despairing, Armide destroys everything within her reach, except for her love for Renaud. 


The interplay of cultures and time periods within this complex story has been masterfully handled by set designer Gerard Gauci (who also happens to be one of my favourite artists). Taking inspiration from the rich jewel tones, complex patterns and burnished gold elements of Persian miniatures, the set creates the illusion of courtly splendour for a complex story defined by passion. Playful use of scrims during the dream sequences adds another dimension of temporality to the production. 

Jake Rennie as Love, Peggy Kriha Dye as Armide
Photo by Bruce Zinger

The costumes highlight the spectacle of passion on stage and create the illusion of courtly splendour. The female characters and dancers are dressed in beautiful gowns of rich jewel tones lavishly decorated with gold trim. The male characters don velvet breeches and jerkins ornamented with "jewels" which catch the light and sparkle with vibrancy. In one scene, male dancers wear skirt panels that whip around their bodies as they twirl, highlighting the power of their energetic movement. Costumes are built as separates, allowing for multiple changes of look as the characters add or remove layers. And the wings of Love (shown above) are truly god-like in their exquisite other-worldly beauty. 


After attending a dress rehearsal preview of this production earlier this week, I believe that Opera Atelier's production of Armide is an opera that will appeal to both seasoned opera goers and opera "virgins". The lavish costumes and sets, the use of dance to develop and enhance the story and the passion and power conveyed on stage by the performers, all come together to create an enchanted spectacle. This is an opera worthy of Versailles. 


Tickets to Armide (April 14-21) are on sale at ticketmaster.ca. Tickets for the Glimmerglass Festival are available here 


Photos provided courtesy of Opera Atelier and are subject to copyright.