Showing posts with label FIT Museum. Show all posts
Showing posts with label FIT Museum. Show all posts

Fashion, A-Z at The Museum at FIT

The Museum at FIT is one of my favourite fashion museums. With over 50,000 garments and accessories in their collection, Director and Chief Curator Valerie Steele and her talented staff have one of the largest collections in the world to draw on and they use this archive to come up with something fresh and innovative on a regular basis. 

Fashion, A-Z, Part II could have been a yawn, but it was not. Featuring highlights from their enormous collection, the full spectrum of design approaches and talents is presented in the upstairs history gallery.

Several of my favourite sculptural garments from their collection were on display, including: The Charles James Tree dress from 1955 in dusty rose that stands as the penultimate body sculpture (pictured above); The Martin Margiela sleeveless jacket from sprint 1997 that evokes a mannequin; and, a Madame Gres abstracted triangular black silk faille evening dress from 1967 that asserts angularity and a mod-1960s vibe. 


Two designers that were previously unknown to me that I discovered in this exhibition included: a halter top and leggings from NOIR Spring 2009 by Peter Ingwersen which showed that sustainable design, fair trade practices, organic cotton can be turned into high fashion; and an ensemble constructed from five cardigan sweaters and pantyhose by XULY.Bet for FAll 1994. Sustainable practices can be exciting and fresh. 


What defies understanding is how this exciting museum of fashion can offer free admission to the public. It is always worth the trip to Seventh Avenue at 27th Street, and there will soon be a beautiful Taschen reference book featuring highlights of the FIT Museum

Online Historic Costume Collections

In a click of a mouse, I can visit the historic and contemporary costume collections from around the world. Although some museums and university collections welcome visiting scholars, digitizing a collection reduces the handling of fragile garments and also offers everyone a chance to see garments that are not on display.  Here are my top picks of accessible collections (click on museum name for related link): 

Dior 1947 Bar Suit, Image Courtesy of the Metropolitan Museum of Art Costume Institute
Metropolitan Museum of Art Costume Institute Collection: The Met has over 35,000 costumes and accessories in their collection, with the earliest piece going back to the 15th century. This New York museum sets the gold standard for online digitized collections, providing multiple images and extensive descriptive information and provenance details for each item.

Victoria and Albert Museum Collections:  Although the storage and research facilities for this London based museum collection are currently being renovated (scheduled to reopen in October 2013),  the V&A website gives access to images from their extensive costume collection and also provides videos, articles, suggested books, and related material. An inviting and friendly website, the fashion related section is organized by period, with links to all related material available on the site. Like the Met, the information provided for each fashion item is extensive, including multiple viewpoints, photos of related accessories, marks and inscriptions and exhibition history. 

FIT Museum Collection: FIT Museum currently has over 50,000 garments and accessories in its collection. Although they have pieces going back to the 18th century, their focus is on contemporary fashion and they seek to add new pieces that "make fashion history". They have an extensive online collection and are adding to that regularly.  FIT has a smaller study collection of approximately 1200 pieces that is accessible to students, faculty and visiting researchers.

Kent State University Museum: Kent State has one of the largest study collections in the world with over 40,000 pieces including historic pieces from the 18th and 19th centuries to the present. While only a small sampling of items have been digitized, this museum believes in accessibility and welcomes students, faculty and visiting researchers.

Drexel University Historic Costume Collection: An online collection featuring detail closeups and 360 degree views of 129 selected pieces from the collection. Of particular note are the photos related to the conservation of an 1885 gown by Charles Frederick Worth (link here).

Chicago History Museum Costume & Textiles Collection: This museum's costume collection includes over 50,000 costumes and textile artifacts from the mid-18th century to the present, and is one of the largest in the world. Recently launched, the digital collection features multiple views of nearly 400 costume and textile artifacts.


God Save my Shoes



The Bata Shoe Museum hosted a preview of God Save My Shoes, a documentary film about women's passionate and often obsessive relationship with shoes. The film features top shoe designers Christian Louboutin, Manolo Blahink,  and Bruno Frisoni, as well as women shoe lovers/collectors from New York, Los Angeles, Paris and Milan, including Dita von Teese and Fergie. Experts, including Dr. Valerie Steele, Director and Curator of the FIT Museum, and Elizabeth Semmelhack, Senior Curator of the Bata Shoe Museum, give thought-provoking interviews on women's obsession with high heel shoes.

This movie looks at the reasons why 5-inch stilettos have become contemporary symbols of femininity, embodying pleasure and pain, sensuality and seduction, but also effectively hobbling women's gait and impeding their mobility. Elizabeth Semmelhack compared such shoes to the chopines worn by women in Renaissance Italy as well as to "hooker" shoes, showing actual examples thereof. Although some people might argue that high heels are a symbol of women's power, she suggested that if such shoes really represented power then men would also wear high heels.


Some of the quotes from the film:

"A shoe tells who you are."  Fergie

"These are S and M shoes. Stand and model only." Christian Louboutin salesman

"For me, a high heel can never be too high." Christian Louboutin

"Sexual commodification is an important part of high fashion today." Elizabeth Semmelhack

"There was a time in my life when I was really unhappy and the only thing that made me happy was a pair of new shoes." Beth Shak, Shoe Collector

The documentary DVD premiers in New York tonight - March 30th, 2012. See it if you can. It is a beautifully crafted and thought provoking film written by Julie Benastra.
 
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